Archives de catégorie : CULTURE

Un autre extrait: BECOMING, Term

Publié le par

LIVRE A EMPRUNTER AU CDI

Becoming by Michelle Obama

EXTRACT

When I was a kid, my aspirations were simple.  I wanted a dog. I wanted a house that had stairs in it— two floors for one family. I wanted, for some reason, a four-door station wagon instead of the two-door Buick that was my father’s pride and joy. I used to tell people that when I grew up, I was going to be a pediatrician. Why? Because I loved being around little kids and I quickly learned that it was a pleasing answer for adults to hear. Oh, a doctor! What a good choice! In those days, I wore pigtails and bossed my older brother around and managed, always and no matter what, to get As at school. I was ambitious, though I didn’t know exactly what I was shooting for. Now I think it’s one of the most useless questions an adult can ask a child— What do you want to be when you grow up? As if growing up is finite. As if at some point you become something and that’s the end.

So far in my life, I’ve been a lawyer. I’ve been a vice president at a hospital and the director of a nonprofit that helps young people build meaningful careers. I’ve been a working-class black student at a fancy mostly white college. I’ve been the only woman, the only African American, in all sorts of rooms. I’ve been a bride, a stressed-out new mother, a daughter torn up by grief. And until recently, I was the First Lady of the United States of America— a job that’s not officially a job, but that nonetheless has given me a platform like nothing I could have imagined. It challenged me and humbled me, lifted me up and shrank me down, sometimes all at once. I’m just beginning to process what took place over these last years— from the moment in 2006 when my husband first started talking about running for president to the cold morning this winter when I climbed into a limo with Melania Trump, accompanying her to her husband’s inauguration. It’s been quite a ride.

When you’re First Lady, America shows itself to you in its extremes. I’ve been to fund-raisers in private homes that look more like art museums, houses where people own bathtubs made from gemstones. I’ve visited families who lost everything in Hurricane Katrina and were tearful and grateful just to have a working refrigerator and stove. I’ve encountered people I find to be shallow and hypocritical and others— teachers and military spouses and so many more— whose spirits are so deep and strong it’s astonishing. And I’ve met kids— lots of them, all over the world— who crack me up and fill me with hope and who blessedly manage to forget about my title once we start rooting around in the dirt of a garden.

Since stepping reluctantly into public life, I’ve been held up as the most powerful woman in the world and taken down as an “angry black woman.” I’ve wanted to ask my detractors which part of that phrase matters to them the most— is it “angry” or “black” or “woman”? I’ve smiled for photos with people who call my husband horrible names on national television, but still want a framed keepsake for their mantel. I’ve heard about the swampy parts of the internet that question everything about me, right down to whether I’m a woman or a man. A sitting U.S. congressman has made fun of my butt. I’ve been hurt. I’ve been furious. But mostly, I’ve tried to laugh this stuff off.

There’s a lot I still don’t know about America, about life, about what the future might bring. But I do know myself. My father, Fraser, taught me to work hard, laugh often, and keep my word. My mother, Marian, showed me how to think for myself and to use my voice. Together, in our cramped apartment on the South Side of Chicago, they helped me see the value in our story, in my story, in the larger story of our country. Even when it’s not pretty or perfect. Even when it’s more real than you want it to be. Your story is what you have, what you will always have. It is something to own.

For eight years, I lived in the White House, a place with more stairs than I can count— plus elevators, a bowling alley, and an in-house florist. I slept in a bed that was made up with Italian linens. Our meals were cooked by a team of world- class chefs and delivered by professionals more highly trained than those at any five-star restaurant or hotel. Secret Service agents, with their earpieces and guns and deliberately flat expressions, stood outside our doors, doing their best to stay out of our family’s private life. We got used to it, eventually, sort of— the strange grandeur of our new home and also the constant, quiet presence of others.

The White House is where our two girls played ball in the hallways and climbed trees on the South Lawn. It’s where Barack sat up late at night, poring over briefings and drafts of speeches in the Treaty Room, and where Sunny, one of our dogs, sometimes pooped on the rug. I could stand on the Truman Balcony and watch the tourists posing with their selfie sticks and peering through the iron fence, trying to guess at what went on inside. There were days when I felt suffocated by the fact that our windows had to be kept shut for security, that I couldn’t get some fresh air without causing a fuss. There were other times when I’d be awestruck by the white magnolias blooming outside, the everyday bustle of government business, the majesty of a military welcome. There were days, weeks, and months when I hated politics. And there were moments when the beauty of this country and its people so overwhelmed me that I couldn’t speak.

Then it was over. Even if you see it coming, even as your final weeks are filled with emotional good-byes, the day itself is still a blur. A hand goes on a Bible; an oath gets repeated. One president’s furniture gets carried out while another’s comes in. Closets are emptied and refilled in the span of a few hours. Just like that, there are new heads on new pillows— new temperaments, new dreams. And when it ends, when you walk out the door that last time from the world’s most famous address, you’re left in many ways to find yourself again.

1 extrait de livre “The Absolutely True Diary of a Part-Time Indian”, pour tous

Publié le par

CE LIVRE EST AU CDI, n’hésitez pas à l’emprunter.

Excerpt: ‘The Absolutely True Diary of a Part-Time Indian’

SHERMAN ALEXIE

Cover of 'The Absolutely True Diary of a Part-Time Indian'

The following is an excerpt from the winner of the 2007 National Book Award for young people’s literature.

I was born with water on the brain.

Okay, so that’s not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors’ fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded.

My brain was drowning in grease.

But that makes the whole thing sound weirdo and funny, like my brain was a giant French fry, so it seems more serious and poetic and accurate to say, “I was born with water on the brain.”

Okay, so maybe that’s not a very serious way to say it, either. Maybe the whole thing is weird and funny.

But, jeez, did my mother and father and big sister and grandma and cousins and aunts and uncles think it was funny when the doctors cut open my little skull and sucked out all that extra water with some tiny vacuum?

I was only six months old and I was supposed to croak during the surgery. And even if I somehow survived the mini-Hoover, I was supposed to suffer serious brain damage during the procedure and live the rest of my life as a vegetable.

Well, I obviously survived the surgery. I wouldn’t be writing this if I didn’t, but I have all sorts of physical problems that are directly the result of my brain damage.

First of all, I ended up having forty-two teeth. The typical human has thirty-two, right? But I had forty-two.

Ten more than usual.

Ten more than normal.

Ten teeth past human.

My teeth got so crowded that I could barely close my mouth. I went to Indian Health Service to get some teeth pulled so I could eat normally, not like some slobbering vulture. But the Indian Health Service funded major dental work only once a year, so I had to have all ten extra teeth pulled in one day.

And what’s more, our white dentist believed that Indians felt only half as much pain as white people did, so he gave us only half the Novocain.

What a bastard, huh?

Indian Health Service also funded eyeglass purchases only once a year and offered one style: those ugly, thick, black plastic ones.

My brain damage left me nearsighted in one eye and farsighted in the other, so my ugly glasses were all lopsided because my eyes were so lopsided.

I got headaches because my eyes were, like, enemies, you know, like they used to be married to each other but then hated each other’s guts.

And I started wearing glasses when I was three, so I ran around the reservation (the rez!) looking like a three-year-old Indian grandpa.

And, oh, I was skinny. I’d turn sideways and disappear.

But my hands and feet were huge. My feet were a size eleven when I was in third grade!

With my big feet and pencil body, I looked like a capital L walking down the road.

And my skull was enormous.

Epic.

My head was so big that little Indian skulls orbited around it. Some of the kids called me Orbit. And other kids just called me Globe. The bullies would pick me up, spin me in circles, put their fingers down on my skull, and say, “I want to go there.”

So obviously, I looked goofy on the outside, but it was the inside stuff that was the worst.

First of all, I had seizures. The doctors gave me medicine for them. It was this pill called Phenobarbital, which is, like, this major sedative, so I was a junkie before I could even walk. I had to crawl across the floor in my diapers to get my fix.

Those seizures can damage your brain.

But the thing is, I was having those seizures because I already had brain damage, so I was reopening wounds each time I seized.

Yep, whenever I had a seizure, I was damaging my damage.

I haven’t had a seizure in seven years, but the doctors tell me that I am “susceptible to seizure activity.”

Isn’t that one of the worst phrases you’ve ever heard?

Susceptible to seizure activity.

Doesn’t that just roll off the tongue like poetry?

I also had a stutter and a lisp. Or maybe I should say I had a st-st-st-st-stutter and a lissssssssththththp.

You wouldn’t think there is anything life threatening about speech impediments, but let me tell you, there is nothing more dangerous than being a kid with a stutter and a lisp.

A five-year-old is cute when he lisps and stutters. Heck, most of the big-time kid actors stuttered and lisped their way to stardom.

And, jeez, you’re still fairly cute when you’re a stuttering and lisping six-, seven-, and eight-year-old, but it’s all over when you turn nine and ten.

After that, your stutter and lisp turn you into a retard.

And if you’re fourteen years old, like me, and you’re still stuttering and lisping, then you become the biggest retard in the world.

Everybody on the rez calls me a retard about twice a day. They call me retard when they are pantsing me or stuffing my head in the toilet or just smacking me upside the head.

I’m not even writing down this story the way I actually talk, because I’d have to fill it with stutters and lisps, and then you’d be wondering why you’re reading a story written by such a retard.

Do you know what happens to retards on the rez?

We get beat up.

At least once a month.

Yep, I belong to the Black-Eye-of-the-Month Club.

Sure I want to go outside. Every kid wants to go outside. But it is safer to stay at home. So I mostly hang out alone in my bedroom and read books and draw cartoons.

Here’s one of me:

I draw all the time.

I draw cartoons of my mother and father; my sister and grand-mother; my best friend, Rowdy; and everybody else on the rez.

I draw because words are too unpredictable.

I draw because words are too limited.

If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.

But when you draw a picture, everybody can understand it.

If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, “That’s a flower.”

So I draw because I want to talk to the world. And I want the world to pay attention to me. I feel important with a pen in my hand. I feel like I might grow up to be somebody important. An artist. Maybe a famous artist. Maybe a rich artist.

That’s the only way I can become rich and famous.

Just take a look at the world. Almost all of the rich and famous brown people are artists. They’re singers and actors and writers and dancers and directors and poets.

So I draw because I feel like it might be my only real chance to escape the reservation.

I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats.

Excerpt from The Absolutely True Diary of a Part-Time Indian  by Sherman Alexie.